ETHAN FAGRE
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Performance for Voice, Water Bottle, and Keyring

Abstract
This performance was broken into two halves. The first half  is a slow buildup of vocals alongside the rattling of keys and the sloshing of a water bottle.
Vague, tactile noises pair well with the repetitive nature of a loop so my setup was simple.
A single microphone (Shure SM57) paired with a looper/delay pedal (Line 6 DL4), a pitch shifter (Behringer Ultra-Shifter / Harmonizer)
​and a flanger/chorus pedal (EHX Electric Mistress) that were all meant to work together to create a warm and overloading environment. 
The first half of the performance consists of capturing the source audio that carries throughout the rest of the performance.

Performance for Voice, Water Bottle, and Keyring
(Part 1)

Picture
The first bit of audio is my recording of the first act (iPhone 8 placed 15 feet away from source). The second recording is from the same iPhone after I fed the audio back into the microphone to create a feedback loop. Given another iPhone (or any handheld recording device), this could go on forever.

Performance for Voice, Water Bottle, and Keyring
​
​(Part 2)

Steps for Performance

ABC123  =  loose instructions
ABC123   ​=  exact instructions

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- start phone recording in front of speakers -
- record vocal chord -

- speaker disconnect / interruption -

- restart vocal chord recordings - 
- tweak settings on flanger/chorus -
- play with and record keys - 
- tweak settings on pitch shifter -
- tweak settings on looper/delay -
- play with and record water bottle -

- stop phone recording/half one -

​- play recorded audio back into microphone -
- boost flanger/chorus settings -

- start phone recording/half two -

- slowly dampen volume until silent - 

- stop phone recording -
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